Exhibitions, Screenings, Performances (record before 2013)
you can get a different updates of Chto Delat bio at https://www.mutualart.com/Artist/Chto-Delat/D3DC7D68FD4DBD7F/Exhibitions
and https://artfacts.net/artist/chto-delat/71233
Before 2013
2013
Solo Projects:
To negate Negation,
BWA, Awangarda Gallery, Wroclav, Poland
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Group Shows 2013:
Mobilität III – Geld
– Fotogalerie Wien, Vienna
Global Activism
– ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe
Art Turning Left: How Values Changed Making 1789–2013
– Tate Liverpool, Liverpool
FAULT LINES (The Border Musical),
Kadist Art Foundation, San Francisco, USA
RE-ALIGNED ART (Newspaper timeline);
Tromsø Kunstforening, Tromsu
SPACE OF EXCEPTION (The Baden-baden Lessons of dis-consent),
ARTPLAY, Moscow
MODERN ART MUSEUM: THE DEPARTMENT OF LABOUR AND EMPLOYMENT
(Builders installation with Victor Popkov painting)
The State Tretyakov Gallery; Moscow
O performance, (Museum Songspiel)
Moscow State Exhibition Hall “New Manege”
Dear Art (Museum Songspiel)
Calvert 22, London
Everyday Life – 2013 (Tower Songspiel)
Asian Art Biennial – Asian Art Biennial Taiwan, Taichung
PRADA PRAVDA (newspaper);
Tartu Art Museum, Tartu, Estonia
Disobedience Archive (The Republic)
Castello di Rivoli Museo d’Arte Contemporanea, Turin
Zum Aufbruch – fussnoten (The Russian Woods film),
Motorenhalle, riesa efau, Dresden
Without Reality There Is No Utopia,
Yerba Buena Center for the Arts, San Francisco, CA
The Translation, (Tower Songspiel)
Cabaret Voltaire, Zurich
Living as Form, Nomadic Version
Fabrika, Moscow
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Selected screenings 2013:
Self-government: cultural evolution vs. revolution ;
Odessa Biennale of Contemporary Art, Ukraine (The Russian woods)
Werkleitz biennale, Halle, Germany (Russian Woods)
International Film Festival, Istanbul (Tower Songspiel)
May be, art festival. Krasnodar (The Russian Woods)
Ticking Barents, Barents Spectacle 2013
Kirkenes, Norway (The Border Musical)
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Selected performances and theater production 2013:
Sommer Festival at Kampnagel, Hamburg
Under the Montain,
Festival of public Arts, Jerusalem
Where has Comminism gone?
at Former West, Haus der Kulturen der Welt, Berlin
Where has Comminism gone?,
produced by tranzit.hu; Budapest
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2012
Solo projects:
You do not have to be left to think like this,
exhibition as school;
Gallery 21, Pushkinskaya 10, St. Petersburg
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Group Exhibitions 2013:
Dear Art,
Museum of Contemporary Art Metelkova, Ljubliana
Believers,
KOW – Koch Oberhuber Wolff, Berlin
Impact festival exhibition
The impossible black tulip of cartography
Utrecht, The Netherlands
Disobedience Archive (The Parliament)
Bildmuseet, Umeå
Project 35
Kunsthaus CentrePasquArt – Centre d’Art, Biel/Bienne
Atlas Critique – Une carte blanche au peuple qui manque
Centre d’Art du Parc Saint Léger, Pougues-les-Eaux
Truth is concrete: A 24/7 marathon camp
Sterische Herbst, Graz, Austria
In Fifteen Minutes Everyone will be in the Future (An opera),
Center of contemporary art “Ancient Bath”, Plovdiv, Bulgaria
Anatomy of Integration
Sculpture Quadrennial Riga 2012 (SQR 2012)
REVOLUTION HAPPENED BECAUSE EVERYBODY REFUSED TO GO HOME,
DISOBEDIENCE ARCHIVE,
bureau publik, Copenhagen
Round Table,
Gwangju Biennalle 2012, South Korea
REALITY,
Kunstnerforbundet, Oslo
I will never talk about the war again,
Kulturno izobraževalno društvo (KID) Kibla, Maribor, Slovenia
Arsenale 2012,
ARSENALE – Ukrainian Biennale of Contemporary Art, Kiev
It is what it is. Or is it?
Contemporary Arts Museum Houston, Houston
Con Atlas critique
Centre d’art contemporain, Pougues-les-Eaux, France
Moving forward, counting backwards. Eastern Europe Palestra,
MUAC, Mexico City
PERMISO PARA HACER LA REVOLUCIÓN,
Off Limits, Madrid temporary Arts Museum Houston, Houston
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Selected performances and theater production 2012:
Copying without Copying, Episode 3,
produced by Arika in cooperation with Tramway, Glasgow, UK
SAPERE AUDE! Dare to know! Festival
Beursschouwburg, Brussels
Russian Woods,
Russian premier at Шелгунова ДК (Shelgunov Huose of Culture), St. Petersburg
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Selected screening 2012:
Something Happened – filmprogram;
Kunstnernes Hus, Oslo (Museum Songspiel)
Sofia Queer Forum (Partisan Songspiel)
TOMMOROW, film festival. Moscow (The Russian Woods)
SIMULTAN FESTIVAL #8 | ‘The beginning of the end’
11-13 oct. 2012 timisoara, romania (Partisan Songspiel)
Border Aesthetics Conference; (The Museum Songspiel)
University of Tromsø, Norway
Province | Visitor Centre, tv night in Tel-Aviv
The Russian Woods, screening and discussion at NO.W.HERE, London
The Russian Woods, premier in St. Petersburg, Smolny Colledge of Arts
National Centerfor Contemporary Art, Moscow (Baden-Baden Lessons on discontent & Partisan Songspiel)
Transition Worlds at Artfoyer, Zurich (Baden-Baden Lessons on discontent)
Episode 1: A Film is a Statement; organized by Arika, Glasgow Film Theater, UK (Partisan Songspiel and Tower Songspiel)
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2011
Solo projects:
The Lesson on Dis-Consent,
the Staatliche Kunsthalle Baden-Baden
Chto Delat? Perestroika: Twenty Years After: 2011-1991
Kölnische Kunstverein
Museum Songspiel,
Glasmoog, Academy of media arts, Cologne
Study, study and Act again,
Moderna Gelerija (Mala Galerija), Ljubliana
What is to be done between tragedy and farce?
Smart Project Space, Amsterdam
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Group Exhibitions 2012:
PRIGOV. Die Textarbeiten des Dmitrij Aleksandrovič
mit einer künstlerischen Intervention von Chto Delat?
Das Kulturzentrum bei den Minoriten, Graz, Austria
The Oil Show
HMKV im Dortmund, Germany
After the Fall
Tulca Festival of Visual Art, Galway, Ireland
My MUDAM,
MUDAM, Luxembourg
Towards the Other,
The State Museum of History of St Petersburg
EVENTO 2011, l’art pour une ré-évolution urbaine,
Bordeaux, France
Living as Form,
Creative Time, New York
The Global Contemporary. Kunstwelten nach 1989
ZKM | Museum für Neue Kunst, Karlsruhe
WEITWINKEL – Kunst.Kultur.Politik
Rosa Luxemburg Stiftung, Berlin
Auditorium Moscow. A Sketch for a Public Space,
A project of Museum of Modern art in Warsaw, Bielie Palaty, Moscow
I Will Never Talk About the War Again, Psychosis part 1,
Färgfabriken, Stockholm
Encuentro Internacional de Medellín (MDE11)
The Museo de Antioquia, Medellin, Columbia
The Long Avantgarde,
Cartel gallery, London
Ostalgia,
New Museum of Contemporary Art, New York City, NY
LOL: A Decade of Antic Art,
Contemporary Museum, Baltimore, Baltimore, MD
Other Possible Worlds
Neue Gesellschaft für Bildende Kunst (NGBK), Berlin
Sin realidad no hay utopía,
Centro Andaluz de Arte Contemporáneo (CAAC), Sevilla
Schon wieder und nochmal? – Handlungsspielräume,
Kunstverein Medienturm, Graz
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Selected screening 2011:
Disobedecer a Toda Costa, Museo de Arte Carrillo Gil, Mexico
Freud Dream Museum, St. Petersburg (Baden-baden Lessons on dis-content)
Historical Materialism, 8 annual conference, London (Museum Songspiel)
YU GO Bandits!; Arsenal Cinema, Berlin (Partisan Songspiel)
16 Beaver discussion (Perestroika Songspiel)
Open Forum, Art Academy in Oslo
Film Festival Mirrow”, Ivanovo, Russia (Tower Songspiel)
Our Friendships are Constructed on the Basis of Conflict , screening organised by redchannel, NY
Dutch Art Institute, Anhelm, Holland
The Populist Front, On the Role of Myth, Storytelling and Imaginary in Populist Movements,
organised by SKOR, Amsterdam (Museum Songspiel)
Jan van Eyck Akademie, seminar and screening, Maastricht, Netherlands (Songspiel Triptich)
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2010
Solo projects:
Chto delat?
ar/ge kuns Museum Gallerie, Bolzano
Chto delat? (What is to be done?) – The Urgent Need to Struggle Part 2
ICA – Institute of Contemporary Arts London
Chto delat? – The Urgent Need to Struggle. Part 1
Gallerija Nova, Zagreb
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Group Shows 2010:
– Learning Machines. Art Education and Alternative Production of Knowledge
Nuova Accademia di Belle Arti (NABA)
– The History of Russian video Art. Part 3.
Moscow MMOMA
– To the Arts, Citizens!
Museu Serralves, Museu de Arte Contemporânea, Porto
–Engineers of the Soul, a show about communism and artists’ relationship to power,
Postmaster Gallery, New York
– Spaport Biennial 2009/2010
Banja Luka, Serbia
– Transitland in Trieste – Studio Tommaseo
Istituto per la documentazione e diffusione delle Arti, Trieste
– Etats de l´Artifice
Musée d´Art Moderne de la Ville de Paris – MAM/ARC, Paris
– Vectors of the Possible
Basis voor Actuele Kunst – BAK, Utrecht
– Watchmen, Liars, Dreamers (Erudition concrete 3)
FRAC – Ile-de-France Le Plateau, Paris
– Principio Potosí. ¿Cómo podemos cantar el canto del Señor en tierra ajena?
Museo Nacional Centro de Arte Reina Sofía MNCARS, Madrid & Haus der Kulturen der Welt, Berlin
– 1st Ural Industrial Biennial – Shockworkers of the Mobile Image
Ural Industrial Biennial, Yekaterinburg
– Practicing Memory in a time of an all-encompassing present,
Cittadellarte – Fondazione Pistoletto, Italy
– Monumento A La Transformación
Centro Cultural Montehermoso, Vitoria-Gasteiz
– The Beauty of Distance. Songs of Survival in a Precarious Age,
17th Biennale of Sydney, Sydney, Australia
– Reality Check Project,
Trøndelag Centre for Contemporary Art(TSSK), Trondheim
– When One Has to Say “We”: Art as the Practice of Solidarity,
European University, St. Petersburg
– Hungry Man, Reach for the Book. It Is a Weapon,
PRINTED MATTER, INC., NY
– IF NOT NOW. Artists’ solidarity with Romani people and claim for equal rights,
Trafo Gallery, Budapest
– Proposals for socialist colony,
Skydive office of cultural affairs, Houston
– A History of Irritated Material,
Raven Row, London
– Monument to Transformation,
Montehermoso, Vitoria, Spain
– …on the eastern front, video art from central and eastern europe 1989–2009,
Ludwig Museum, Budapest
– re: ex-post. Critical Knowledge and the Post-Yugoslavian Condition,
Open Space
Zentrum für Kunstprojekte, Vienna
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Selected screening 2010:
Creative Time Summit, New York
Independent Curators International – Project 35
Chto Delat? Realism: Between Tragedy and Farse
Screening and discussion with Chto Delat? members Olga Egorova Tsaplya e Dmitry Vilensky;
Kunsthalle Lissabon, Portugal
videoabend Farbe Bekennen I: „The Tower: A Songspiel“, riesa efau. Kultur Forum Dresden
EXODUS, Intenational Project Space, School of Art Bournville, Birmingham Institute of Art and Design
Project 35; video programm curated by 35 curators and commisioned by Independant Curators International, USA
Que faire ? Art, Film, politique – What is to be done ? Art, Film, Politics, Palais de Tokyo, Paris
The history of Russian Video art. Part 3; MMOMA , Moscow
– VoTH, Moscow museum of modern art – MMOMA , Moscow
– film festival 2in1, Moscow
– film festival Textura, Perm, Russia
– TUHAF FİLMLER, HORS PISTES, OUT OF TRACKS, Istambul
– May Congress of creative workers, Moscow
– Ambulante film festival, Injerto, Mexico
– And the moral of the story is… Part 2, Apex Art, NYC
– We can create our own histories, Arttransponder, Berlin
– 7 th.Festival Cinema Brive, France
– Géographies fracturées #4, Radical East Performance, Cinéma Le Méliès
– Les Cinémas – HORS PISTES, Un Autre Mouvement des Images, Center Pompidou
– And the moral of the story is…4 days of non-stop film; Morality Act III, Witte de With, Rotterdam
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2009
– Play Van Abbe – Part 1; The Game and the Players
Van Abbemuseum, Eindhoven, Holland
– Political Practices of (Post-) Yugoslav Art,
Muzej Istorije Jugoslavije, Belgrade
– Where Everything Is Yet to Happen. 1st chapter: “Can you speak of this? -Yes, I can“,
SPAPORT BIENNIAL 2009/2010, Banja Luka, Bosnia-Herzegovina
11th Istambull biennale, Turkey
– The Matrix: An Unstable Reality,
28th Biennale of graphic arts, Ljubliana
Hamburg
– Hidden in Remembrance is the Silent Memory of Our Future,
4-th Biennial of Moving Image, Contour Mechelen
– Bertha von Suttner revisited,
Schüttkasten Harmannsdorf, Austria
– PRAXIS: Art in Times of Uncertainty,
Thessaloniki Biennale 2, Greece
– Unfair Project, Parachutartists Foundation,
De Service Garage, Amsterdam
– Plug in Nr.51 – Activist Club,
Van Abbemuseum, Eindhoven, Holland
TriPostal, Lille, France
– Chto Delat at Agency for Small Claims,
Bureau for Open Culture at Columbus College of Art & Design, USA
– No More Reality. Crowd and Perfomance,
Depo, Istambul
Akademie der bildenden Künste Wien
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Selected screenings 2009:
– Music and Political narration, Laboratory of Critical Art, European University, Petersburg
– Transitland; The Red House, Centre for Culture and Debate, Sofia
– Transmediale – Transitland Destination Berlin (TCP); Collegium Hungaricum, Berlin
– Film screening “Underground Man”, An Artspeak project, Vancity Theatre
– Perestroika video project, Filmscreening & discussion at Lakeside Park, Klagenfurt
-Depot – Kunst & Diskussion, Vienna
– the video archive “Another City, Another Life” at Rotor Association
for Contemporary Art, Graz and the X Baltic Triennial of International Art, Vilnus
– “Stop! Action!”, DIVA archive at Škuc Gallery, Ljubljana
-Transitland. Video Art from Central and Eastern Europe 1989-2009
The International Media Art Biennale Wro 09 in Wroclaw , Poland
Factory of Found Clothes, film screening programm at Internationale Kurzfilmtage, Oberhausen
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2008
– Unvermittelt,
NGBK, Berlin
October Salon , Belgrade (the prize for best work)
– U-TURN, Quadrennial for Contemporary Art , Copenhagen
– No More Reality ,
De Appel, Amsterdam
– 6th Gyumri Biennial , Armenia
Kalmar Konstmuseum, Sweden
– Another City, Another Life ,
Zacheta National Gallery of Art, Warsaw.
– Have a Cake and Eat it too ,
Kunsthalle Exnergasse, WUK, Vienna
– Perform History, Meta-exhibition of U-turn,
Overgarden, Copenhagen
– Satellite Tunes. Art from the Post-Soviet States ,
Hungarian University of Fine Arts, Budapest
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2007
- Land of Human Rights,
Rotor, Graz, Austria
– October. Exit. Memory. Desire,
ARTRA, Milano, Italy
– Political – Poetical,
Kunstihoone, Tallinn, Estonia
– Electrifications of Brains,
Motorenhalle, Riesa efau, Dresden
– Form of Resistance (Disobedience archive),
Van AbbeMuseum, Eindhoven
– Progressive Nostalgia,
KUMU Museum Tallin and
Centro per l’arte contemporanea Luigi Pecci, Prato, Italy
– DER PROZESS. Collective memory and social history,
Prague Biennale
– SOCIETE ANONYME,
Le Plato, Paris
– Space for Actualisation,
Hamburg, Germany
– Black Square, workshops of Art Moscow,
Central House of Artists, Moscow
– If you see something say something,
Gallery A4, Sydney
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2006
– Cities from Below,
Teseco Foundations, Piza, Italy
– Zone of Risk. Transition,
3d Bishkek Exhibition of Contemporary Art
– Urban Contact Zone,
Westwerk, Hamburg
– Strategies for Self-education,
Center for Contemporary Art, Moscow
– Contested Spaces in Post-Soviet Art,
Sidney Mishkin Gallery, New York
– Interrupted Histories,
Moderna galerija, Ljubljana
– La Normalidad/ Ex-Argentina,
Palacio Nacional de las Artes, Buenos Aires
– Capital (It Fails Us Now),
Kunstihoone, Tallinn, Estonia
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2005
– Russia Redux #1,
Schroeder Romero Gallery, New York
– Multitudinario. The Question for Collectivity and its Forms,
SAPS (Sala de Arte Publico Siqueiros), Mexico
– Kronstadt FOREVER,
project on site, Kronstadt, Russia
– One No Many Yeses,
Ivan Dougherty Gallery, Sydney, Australia
– Collective Action,
Galerija Nova, Zagreb
– European Design Show 2005,
Design Museum, London
– Collective creativity,
Kunsthalle Fridericianum, Kassel
– Drift. An urban investigation of Utopia and Everyday life,
Center for Contemporary Art, Moscow
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2004
– Drift.Narvskaja Zastava,
Saint-Petersburg Historical Museum
– Heaven, Stockholm, Sweden
– Watch out,
National Art Museum, Oslo
– Cycle Tracks will Abound in Utopia,
(with publication of Chto Delat)
Australian Center for Contemporary Art
– Faster than History,
(with publication of Chto Delat)
KIASMA Museum for Contemporary Art, Helsinki
– “Klyazma Art Festival 2004”,
(with publication of Chto Delat)
Site project, Moscow
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Actions in Public Space:
– poster campaign during G8 Summit in Petersburg (together with DSPA – Resistance Movement)
– stencils and poster actions in Kronstadt, 2005
– Two days drift at Narvskaja /strong/spanspan style=Zastava, 03-04 September 2004
– Radio “Chto delat?” broadcast at Art Klyazma Festival 2004
– “Stop Machine!/Sandwiched”, 12 of January 2004
– “The Refoundation of Petersburg”, protest demonstration during the celebration of the 300 years anniversary of St. Petersburg, 28 of May 2003
