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Films
Films
Palace Square. 100 years after. A film – lecture “4 seasons of Zombie” #2017
One night in social network #2019
It did not happen with us, yet. Safe Haven /2016/
The Excluded /2014/
Shivering with Iris /2013/
Border Musical /2013/
Museum Songspiel /2011/
The Lesson on Dis-Consent /2011/
The Tower. A Songspiel /2010/
Partisan Songspiel /2009/
Perestroika Songspiel /2008/
Angry Sandwich People /2006/
Sandwhiched /2004/
Drift. Narvskaya Zastava /2004/
Builders /2005/
Negation of Negation Tryptich (2003)
The Activist Film Studio: Selected works
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Chto Delat? events and around
What’s New / Последние Обновления
Emergency Project Room announces its fall 2023 program
Chto Delat Lexicon 2014
Education which lost its home: Chto Delat Educational models
Emergency Commune in Siverskaya (May-August 2022)
One year after the closure of the DK Rosa (June 2023)
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Nina Gasteva
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Gluklya & Tsaplya (Factory of found clothes)
Nikolay Oleynikov
#37 Face to Face with Monument /2014/
The Russian Woods #2012
Educational Models
Newspapers
# Reader Back to School
#Reader “Time Capsule” /2014/
#36 The Sublime is Now?
#11- 35 Language at/of the border
#10- 34 In defense of representation
#09- 33 Against slavery
#8- 32: Theater of accomplices
#7- 31: Tragedy or farce?
#06- 30: Living, Thinking, Acting politically
#5- 29: Whose city is this?
#1- 25: What is the use of art?
#4- 28: Make film politically
#3-27: The Great Method
#2- 26: Another commons: living / knowledge / act
#special issue: Becoming a Mother
#19: Experience of Perestroika
#18: Critique and Truth
#17: Debates on the Avant-garde
#16: Potentialities. Beyond Political Sadness
#15: Reactionary Times
#14: Self-Education
#13: Culture and Protest
#12: (Im)possible Spaces
#11: Why Brecht?
#10: How do politics begin? Part I
#10: How do politics begin? Part II
#9: What do we have in common?
#8: State of Emergency
#7:Drift. Narvskaya Zastava
#6: Revolution or Resistance
#5: Love and Politics
#4 International Now-Here
#3 Emancipation of-from Labor
#2 Autonomy Zones
#1 What is to be done?
#special issue: Basta!
#special issue: Transitional Justice
#special issue: When Artists Struggle Together
#special issue The urgent need to struggle
#special issue: Make Film Politically /2007/
#special issue: Knowledge in Action /2008/
Performance
Catastrophes #2017
New People – the learning play #2016
Russian Woods #2012
What Struggle Do We Have in Common?
How Can You Be At Home in an Alien World?
Where has Communism Gone?
Theater of Accomplices Newspaper
Rosa’s House of Culture
Texts
Nikolay Oleynikov
Theory
Alexey Penzin
Oxana Timofeeva
Dmitry Vilensky
Artemy Magun
Aleksander Skidan
David Riff
Films
The Excluded /2014/
Shivering with Iris /2013/
Border Musical /2013/
Museum Songspiel /2011/
The Lesson on Dis-Consent /2011/
The Tower. A Songspiel /2010/
Partisan Songspiel /2009/
Perestroika Songspiel /2008/
Angry Sandwich People /2006/
Sandwhiched /2004/
Drift. Narvskaya Zastava /2004/
Builders /2005/
Projects
Installations
When we Thought we Had all the Answers, Life Changed the Questions #2017
Underground. Time Capsule in Bunker #2014
Shivering with Iris #2014
Time Capsule. Artistic report on catastrophes and utopia #2014
Anti-anticommunism #2014
Study, Study and Act again… #2011-on going
The Russian Woods #2011-2014
Between tragedy and farce #2011
The Urgent Need to Struggle #2010
Perestroika Timeline instalation #2009
Activist Club #2007
The Negation of Negation #2003
Сurator’s Works
Poor Dialectics, Festival of the School of Engaged Art, Rosa House of Culture #2016
Self-Education, Exhibition project at NCCA, Moscow #2006
Newspapers/ Газеты
Canary Archives /2022/
#39 On the sources and currents of Chto Delat (in Russian) /2015/
# Reader Back to School
#Reader "Time Capsule" /2014/
#38 Houses of Culture /2016/
#37Face to face with Monument /2014/
#36 The Sublime is Now?
#11- 35 Language at/of the border
#10- 34 In defense of representation
#09- 33 Against slavery
#8- 32: Theater of accomplices
#7- 31: Tragedy or farce?
#06- 30: Living, Thinking, Acting politically
#5- 29: Whose city is this?
#1- 25: What is the use of art?
#4- 28: Make film politically
#3-27: The Great Method
#2- 26: Another commons: living / knowledge / act
#special issue: Becoming a Mother
#19: Experience of Perestroika
#18: Critique and Truth
#17: Debates on the Avant-garde
#16: Potentialities. Beyond Political Sadness
#15: Reactionary Times
#14: Self-Education
#13: Culture and Protest
#12: (Im)possible Spaces
#11: Why Brecht?
#10: How do politics begin? Part I
#10: How do politics begin? Part II
#9: What do we have in common?
#8: State of Emergency
#7:Drift. Narvskaya Zastava
#6: Revolution or Resistance
#5: Love and Politics
#4 International Now-Here
#3 Emancipation of-from Labor
#2 Autonomy Zones
#1 What is to be done?
#special issue: Basta!
#special issue: Transitional Justice
#special issue: When Artists Struggle Together
#special issue The urgent need to struggle
#special issue: Make Film Politically /2007/
#special issue: Knowledge in Action /2008/