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Home » Projects » Installations

Installations


  • Canary Archives #2022

  • Times, Lines, 1989s #2019

  • Safe Haven. Signal System #2019

  • The Slow Orientation in Zapatism #2017- on going

  • Stone Fables | Mural collage at Proregress: The 12th Shanghai Biennale, China #2018

  • Come in Quickly, Otherwise I'm Afraid of My Happiness! Xenia at The Time of War #2018

  • Light House installation and Memorials to Weak Light #2017

  • When we Thought we Had all the Answers, Life Changed the Questions #2017

  • At the moment of danger #2015

  • On the sources and currents of Chto Delat collective #2015

  • Underground. Time Capsule in Bunker #2014

  • Shivering with Iris #2014

  • Time Capsule. Artistic report on catastrophes and utopia #2014

  • Anti-anticommunism #2014

  • „To negate negation” #2013

  • Study, Study and Act again... #2011-on going

  • The Russian Woods #2011-2014

  • The Lesson on Dis-Consent #2011

  • Time Line - The Rise and Fall of Socialism: 1945-1991 #2012

  • Between tragedy and farce #2011

  • The Urgent Need to Struggle #2010

  • Perestroika Timeline instalation #2009

  • Activist Club #2007

  • Drift. Narvskaya Zastava #2004

  • The Negation of Negation #2003

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Chto Delat? events and around

What’s New / Последние Обновления

  • Emergency Project Room announces its fall 2023 program
  • Chto Delat Lexicon 2014
  • Education which lost its home: Chto Delat Educational models
  • Emergency Commune in Siverskaya (May-August 2022)
  • One year after the closure of the DK Rosa (June 2023)

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Newspapers/ Газеты

  • Canary Archives /2022/
  • #39 On the sources and currents of Chto Delat (in Russian) /2015/
  • # Reader Back to School
  • #Reader "Time Capsule" /2014/
  • #38 Houses of Culture /2016/
  • #37Face to face with Monument /2014/
  • #36 The Sublime is Now?
  • #11- 35 Language at/of the border
  • #10- 34 In defense of representation
  • #09- 33 Against slavery
  • #8- 32: Theater of accomplices
  • #7- 31: Tragedy or farce?
  • #06- 30: Living, Thinking, Acting politically
  • #5- 29: Whose city is this?
  • #1- 25: What is the use of art?
  • #4- 28: Make film politically
  • #3-27: The Great Method
  • #2- 26: Another commons: living / knowledge / act
  • #special issue: Becoming a Mother
  • #19: Experience of Perestroika
  • #18: Critique and Truth
  • #17: Debates on the Avant-garde
  • #16: Potentialities. Beyond Political Sadness
  • #15: Reactionary Times
  • #14: Self-Education
  • #13: Culture and Protest
  • #12: (Im)possible Spaces
  • #11: Why Brecht?
  • #10: How do politics begin? Part I
  • #10: How do politics begin? Part II
  • #9: What do we have in common?
  • #8: State of Emergency
  • #7:Drift. Narvskaya Zastava
  • #6: Revolution or Resistance
  • #5: Love and Politics
  • #4 International Now-Here
  • #3 Emancipation of-from Labor
  • #2 Autonomy Zones
  • #1 What is to be done?
  • #special issue: Basta!
  • #special issue: Transitional Justice
  • #special issue: When Artists Struggle Together
  • #special issue The urgent need to struggle
  • #special issue: Make Film Politically /2007/
  • #special issue: Knowledge in Action /2008/
  • English
  • Русский (Russian)