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Canary Archives #2022
Times, Lines, 1989s #2019
Safe Haven. Signal System #2019
The Slow Orientation in Zapatism #2017- on going
Stone Fables | Mural collage at Proregress: The 12th Shanghai Biennale, China #2018
Come in Quickly, Otherwise I'm Afraid of My Happiness! Xenia at The Time of War #2018
Light House installation and Memorials to Weak Light #2017
When we Thought we Had all the Answers, Life Changed the Questions #2017
At the moment of danger #2015
On the sources and currents of Chto Delat collective #2015
Underground. Time Capsule in Bunker #2014
Shivering with Iris #2014
Time Capsule. Artistic report on catastrophes and utopia #2014
Anti-anticommunism #2014
„To negate negation” #2013
Study, Study and Act again... #2011-on going
The Russian Woods #2011-2014
The Lesson on Dis-Consent #2011
Time Line - The Rise and Fall of Socialism: 1945-1991 #2012
Between tragedy and farce #2011
The Urgent Need to Struggle #2010
Perestroika Timeline instalation #2009
Activist Club #2007
Drift. Narvskaya Zastava #2004
The Negation of Negation #2003
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Chto Delat? events and around
What’s New / Последние Обновления
Education which lost its home: Chto Delat Educational models
Open call for the next masters of Mad Tea Parties
MAD TEA PARTY A series of performative discussions
Oxana Timofeeva / And not even the dead will be safe… / 2014
Chto Delat in dialogue with Gerald Raunig /2014/
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Exhibitions, Screenings, Performances (record before 2013)
2021 – Exhibitions, Screenings, Performances, public talks
Conferences (before 2014)
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On the possibility of Light
Personal Art Projects
Gluklya & Tsaplya (Factory of found clothes)
Nikolay Oleynikov
Nina Gasteva
Dmitry Vilensky
Mutual Aid Fund
#37 Face to Face with Monument /2014/
The Russian Woods #2012
School of Engaged Art
Newspapers
# Reader Back to School
#Reader “Time Capsule” /2014/
#36 The Sublime is Now?
#11- 35 Language at/of the border
#10- 34 In defense of representation
#09- 33 Against slavery
#8- 32: Theater of accomplices
#7- 31: Tragedy or farce?
#06- 30: Living, Thinking, Acting politically
#5- 29: Whose city is this?
Rosa’s House of Culture
#1- 25: What is the use of art?
#4- 28: Make film politically
#3-27: The Great Method
#2- 26: Another commons: living / knowledge / act
#special issue: Becoming a Mother
#19: Experience of Perestroika
#18: Critique and Truth
#17: Debates on the Avant-garde
#16: Potentialities. Beyond Political Sadness
#15: Reactionary Times
#14: Self-Education
#13: Culture and Protest
#12: (Im)possible Spaces
#11: Why Brecht?
#10: How do politics begin? Part I
#10: How do politics begin? Part II
#9: What do we have in common?
#8: State of Emergency
#7:Drift. Narvskaya Zastava
#6: Revolution or Resistance
#5: Love and Politics
#4 International Now-Here
#3 Emancipation of-from Labor
#2 Autonomy Zones
#1 What is to be done?
#special issue: Basta!
#special issue: Transitional Justice
#special issue: When Artists Struggle Together
#special issue The urgent need to struggle
#special issue: Make Film Politically /2007/
#special issue: Knowledge in Action /2008/
Performance
Catastrophes #2017
New People – the learning play #2016
Russian Woods #2012
What Struggle Do We Have in Common?
How Can You Be At Home in an Alien World?
Where has Communism Gone?
Theater of Accomplices Newspaper
Texts
Alexey Penzin
Artemy Magun
Oxana Timofeeva
Theory
Dmitry Vilensky
Nikolay Oleynikov
David Riff
Aleksander Skidan
Films
The Excluded /2014/
Shivering with Iris /2013/
Border Musical /2013/
Museum Songspiel /2011/
The Lesson on Dis-Consent /2011/
The Tower. A Songspiel /2010/
Partisan Songspiel /2009/
Perestroika Songspiel /2008/
Angry Sandwich People /2006/
Sandwhiched /2004/
Drift. Narvskaya Zastava /2004/
Builders /2005/
Projects
Installations
When we Thought we Had all the Answers, Life Changed the Questions #2017
Underground. Time Capsule in Bunker #2014
Shivering with Iris #2014
Time Capsule. Artistic report on catastrophes and utopia #2014
Anti-anticommunism #2014
Study, Study and Act again… #2011-on going
The Russian Woods #2011-2014
Between tragedy and farce #2011
The Urgent Need to Struggle #2010
Perestroika Timeline instalation #2009
Activist Club #2007
The Negation of Negation #2003
Сurator’s Works
Poor Dialectics, Festival of the School of Engaged Art, Rosa House of Culture #2016
Self-Education, Exhibition project at NCCA, Moscow #2006
Newspapers/ Газеты
#38 Houses of Culture /2016/
Canary Archives /2022/
#39 On the sources and currents of Chto Delat (in Russian) /2015/
# Reader Back to School
#Reader "Time Capsule" /2014/
#36 The Sublime is Now?
#11- 35 Language at/of the border
#10- 34 In defense of representation
#09- 33 Against slavery
#8- 32: Theater of accomplices
#7- 31: Tragedy or farce?
#06- 30: Living, Thinking, Acting politically
#5- 29: Whose city is this?
Rosa's House of Culture
#1- 25: What is the use of art?
#4- 28: Make film politically
#3-27: The Great Method
#2- 26: Another commons: living / knowledge / act
#special issue: Becoming a Mother
#19: Experience of Perestroika
#18: Critique and Truth
#17: Debates on the Avant-garde
#16: Potentialities. Beyond Political Sadness
#15: Reactionary Times
#14: Self-Education
#13: Culture and Protest
#12: (Im)possible Spaces
#11: Why Brecht?
#10: How do politics begin? Part I
#10: How do politics begin? Part II
#9: What do we have in common?
#8: State of Emergency
#7:Drift. Narvskaya Zastava
#6: Revolution or Resistance
#5: Love and Politics
#4 International Now-Here
#3 Emancipation of-from Labor
#2 Autonomy Zones
#1 What is to be done?
#special issue: Basta!
#special issue: Transitional Justice
#special issue: When Artists Struggle Together
#special issue The urgent need to struggle
#special issue: Make Film Politically /2007/
#special issue: Knowledge in Action /2008/
