Talk show: Shivering with Iris
Based on a learning play which was premiered at Sommer festival at Kampnagel, Hamburg in August 2014. The play was realised in a form of talk show and filmed with 5 cameras . The final result of the performance is a videofilm.
The play is dedicated to the problem of the romantic sublime in art, which it represents using the symbol of fish. The muteness of fish and its underwater position pose a contrast to the current condition of art from which everyone expects a statement. Like the fish lives in the water as its medium, art today lives in the environment of the media, which keeps compromising it both through profanation and sublimation. The play addresses this conflict by engaging a dialectic of the artificial and the real in the contemporary artwork.
Host of the show: Iris Minich
Participants: Vedrana Madžar, Alexey Markin, Alicia Agustín, Tatiana Baskakova, Fransis Jacobi, Genja Loginova, Antje Prust, Corina Lucia Apostol
Tom Frank: Marc Siemoneit
Chto Delat on the stage: Nina Gasteva; Artyom Magun; Alexander Skidan
Directing and narration: Artyom Magun; Alexander Skidan; Tsaplya Olga Egorova and Dmitry Vilensky
Cheer leaders: Nikolay Oleynikov /Chto Delat/ and Alicia Agustín
Cameras: Andrey Nesteruk, Marlene Denningmann, Dmitry Vilensky; Katharina Duve; Karsten Wiesel
Set: Nikolay Oleynikov
Sound effect at the play: Arvild Baud
Sound mastering: Alexander Dudarev
Special thanks: Oxana Timofeeva and Gluklya Natalya Pershina and Schwabinggrad Ballett (Ted Gaier, Margarita Tsomou, Christine Schulz and Christoph Twickel); Hamburger Kunsthalle (Brigitte Kölle, Mira Forte, Petra Pirsch) and many our friends from Hamburg who consulted us and provided help and hospitality.
Maria Markina performed a poem by Maxim Gorky “The Song of the Stormy Petrel” (1901) at the happening at Hamburger Kunsthalle
Music: Revolutionary Étude by Frédéric Chopin
At the happening at Reeperbahn the fragment of the poem by Nikolay Oleynikov “Inspiration” (1932) was used.
The play and film was produced with the generous support of
Otto Runge Stiftung, Kampnagel Sommerfestival, Hamburg;
the postproduction of the film is supported by Gallery Apart, in collaboration with “Joan of Art”
Second and third part of the installation is a display with few objects specially made for performances documented in the film – the artificial fishes hang from the ceiling of the gallery and collection of hand painted aprons with a texts from the most famous Russian revolutionary poem of Maxim Gorky "The Song of the Stormy Petrel" and from the absurdist Soviet poet Nikolay Oleynikov (1932) which formed a base for the conceptual narrative of the play and whole composition of the installation.