Catalogues & Publications
2023
Interview with Dmitry Vilensky and Tsaplya Olga Egorova
Kunstforum International, 50 Years of Kunstforum 1973-2023
kunstforum 1973-2023 – 50 years chto delat– The End of the Line: Historicity, Possibility and Perestroika
by Simon Sheikh
Afterall Journal 46, 23rd July 2018
Simon Sheikh presents Chto Delat’s Perestroika Timeline as an artistic device to produce counter-narratives and alternative histories.
https://www.afterall.org/article/the-end-of-the-line
Sheikh Chtodelat (1)The catalogue of the show “When we thought we knew all the answers, Life has changed all the questions” – exhibition took place at Sevilia, Spain in May 2017 and Mexico City from November 2017 till March 2018 at The Museo Universitario Arte Contemporáneo, also known as MUAC
see all documentation and you can download a catalogue of the show at this link
https://muac.unam.mx/exposicion/chto-delat?lang=en
– Global Activism, Art and conflicts in 21st century, a ZKMbook, MIT Press, Cambridge, London
– Entry Points: The Vera List Center Manual on Art and Social Justice, No. 1, VERA LIST CENTER FOR ART AND POLITICS, THE NEW SCHOOL, 2015
Chto Delat. Time capsule. Artistic report on catastrophes and Utopia. Published on the occasion of the Chto Delat exhibition at Seccesion, Vienna, November 2014
Poster-time line:
http://chtodelat.org/wp-content/uploads/2022/11/catalogue-poster-time-line.pdf
Chto Delat Lexicon
http://chtodelat.org/wp-content/uploads/2022/11/catalogue-lexicon.pdf
catalogue-poster time lineChto Delat catalogue published by Kunsthalle Baden-Baden, 2011 VERLAG DER BUCHHANDLUNG WALTHER KÖNIG with a contribution by Simon Sheikh, Victor Misiano and Johan Holten at:
chto_delat_katalog_finThe best of times, The worst of times, the catalogue of the first Biennale of Contemporary Art, Kiev, 2012
LIVING AS FORM, SOCIALLY ENGAGED ART FROM 1991 – 2011, EDITED BY NATO THOMSON, CREATIVE TIME BOOKS, MIT PRESS, 2012
MUHTELIF, GÜNCEL SANAT YAYINI / CONTEMPORARY ART PUBLICATION ISTANBUL, NUMBER 6, 2012
Gregory Shollette, Dark Matters. Art and Politics in the Age of Enterprise Culture, Plutopress, 2011
ARTE Creative TV
ARTE Creative is an international and interactive network, laboratory and magazine for contemporary culture
Caring Culture: Art, Architecture and the Politics of Public Health; SKOR, Sternberg Press, 2011
WEITH NOTEBOOK 1/ To think (film) politically Art and Activism between Representation and Direct Action (Editor Jelena Vesic), Zagreb, 2011
A Cookbook for Political Imagination, Published by Zachęta National Galery of Art and Sternberg Press, 2011
Other Possible Worlds, Proposal on this Side of Utopia, NGBK, Berlin, 2011
No Order. Art in post-fordist society. A publication by NABA, Milan
Art always has its consequences, a catalogue and a reader to the show, published by WHW, Zagreb, 2010
ar/ge kunst, Issue #07, Mousse, 2010
To the Arts, Citizens!, reader for the exhibition at Serralves Museum, Porto, 2010
Ударники Мобильных Образов (Shockworkers of Mobile Images), 1st Ural Industrial Biennale, 2010 (catalogue)
Roland journal, ICA London Magazine, 2010
Left Curve magazine, No34, Oakland, USA
The Copyist #1: Value, free publication of Vanabbe Museum, 2010
Creamer 2010. Chto Delat? from Petersburg
Magazine D’arte della GAM, Ottobre 2010, Torrino
Political Practicies of (post)Yugoslav Art: Retrospective 01, exhibition catalogue, Akademija, Belgrade, 2010
Habitar, Cuaderno de trabajo / Simposio Injerto, reader for Ambulento film festival, 2010
Luxemburg Heft 1/2010: Für ein linkes Mosaik, (article by Dmitry Vilensky)
Los nuevos productivismos, Contra Textos, MACBA, Barcelona, 2010 (article by Dmitry Vilensky)
Agorafilia.Sztuka i demokracja w postkomunistycznej Europie (Art and democracy in post communist Europe) by prof. Piotr Piotrowski, REBIS Publishing House, 2010, Poland
Quarterly № 10, propaganda press, Korea
Aprior magazine, Contour – 4th biennial of moving images, 2009
08 TB, Taipei Biennial Reader, Taipei Fine Art Museum, 2009
Land of Human Rights, Reader, published by Rotor, Revolver Publishing, 2009
Invisible Borders, Lille 3000, Stichting Kunstboek, 2009
Maska 121-122, Re-projecting radical futures, Spring 2009, Ljublina
Intersections: At the Crossroads of the Production of Knowledge, Precarity, Subjugation and the Reconstruction of History, Display and De-Linking(Löcker Verlag), Vienna 2009
Third Text No.99, 2009
In Transit, NCCA Ekaterinenburg, 2008
WAM Nr.33/34, Progressive Nostalgia, Moscow, 2008
Art Reclaims Foreign Affairs, Decision Maker, Nr.1, 2008
Monster Newspaper, (edited by Bankleer), Motorenhalle, Dresden 2008
Printed Project, Issue 10, Dmitry Vilensky interviewed by Lolita Jablonskiene, Spaces for Art, Political Learning and Subjectivation, 2008
VideoBrasil 04, 2008
Afterall Nr. 19, Interview with Gerald Rauning, 2008
Organising Realism, newspaper and online magazine, Frankfurter Kunstverein, 2008
Rethinking Marxism A Journal of Economics, Culture & Society, Volume 20, Issue 3 2008
FRAME Nr. 8, May 2008, Helsinki
Rearticulatsia Nr3, Interview with Marina Grginic, 2008
00 Document, Seul, South Korea, 2007
Moscow Art Magazine Digest 2005-2007
SUM, Issue Nr. 1 , magasin for samtidskunst, Copenhagen, 2007
Kultura, Forschungsstelle Osteuropa, Bremen, October 2007
Ramona 75 (October 2007), Buenos Aires,
Transversal – eipcp multilingual webjournal, 2007
Documenta 12 Magazine, Issue Nr. 3 – Education, 2007
Ante 5. Russian Art in Translation, USA, 2007
“Maska” Performing Arts Journal, Winter 2007, Lujbkiana – “A Conversation on Education as a Radical Social (and Aesthetic) Practice with Marta Gregorcic, Bojana Piskur, Marjetica Potrc and Dmitry Vilensky”
Decision Makers Nr.1, Art Reclaims Foreign Affairs, Rotor, Graz 2008
Progressive Nostalgia, Centro per l’arte contemporanea Luigi Pecci, Prato, 2007
Normalidad (Ex-Argentina), Buenos Aires, 2007
If you see something say something, Sydney, 2007
Arts and Diversity, Botkyrka Konsthalle, Stockholm, 2007
First We Take Museum, Kiasma, Museum for Contemporary Art, 2006
Interrupted Histories, Moderna Galerija, Ljubliana, 2006
Capital (It fails us now), B-Books, 2006, p. 356
Peoples Choice, Isola Art Center, Milan, 2006
Springerin, 3/06 Vienna, 2006
Manifesta Journal, “Theses on the Mobilizational Archive”, Vol. 4, 2006
Phase2, Nummer: 22/2006, “Roger Behrens/Kerstin Stakemeier/Alice Creischer/Andreas Siekmann, Was tun? Diskussion zu den Thesen von Dmitry Vilensky”, Hamburg, 64-67
Artwurl – on line journal, Thomas Campbell, A Funny Thing Happened on the Way to the Forum: An Interview with Dmitry Vilensky. September 2006, www.artwurl.org
NAVA quarterly, National Association for Visual Art, Sydney, 2006
Collective Creativity, Kunsthalle Fridericianum, Kassel, 2005
Flash Art International, “Focus Russia”, No.244 (October 2005)
Neue Review, Interview with Dmitry Vilensky by Frederic Maufras, Berlin, 2005
Umelec, 2/2005, Interview with Dmitry Vilensky
Site Magazine 13-14.2005, David Riff and Dmitry Vilensky, Drifting through Incomplete Renovation, p. 15, Stockholm
Istitute PRO ARTE annual journal, St.Petersburg, 2005
Project Russia, 81-92, 2005, “Derive”
Moscow Art Magazine Digest 1993-2005 Dmitry Vilensky. “What is to be done?”, p. 120-122
Cycle Tracks will Abound in Utopia, Australian Center for Contemporary Art, 2004
Faster than history, Kiasma, 2004
Journal for North-Eastern Issues, Nr.3, 2004. Hamburg
And numerous publication at Chto Delat and Moscow Art Magazine and Russian periodicals since 2003
